 |
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photograph by Andrew Putler |
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J. R. MONROY |
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Founder and President of the Latin American and Caribbean Cultural Society |
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© 2003 LACCS |
ARTICLES & BIBLIOGRAPHY
A comprehensive listing of all articles, reviews, features and other writing about the work of LACCS since its foundation will appear over the coming weeks.
1984 - 2004
|
These articles and other writings are useful for students and scholars in Latin American contemporary music. |
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| 1984 | 1985 | 1986 | 1987 | 1988 | 1989 | 1990 | 1991 | 1992 | 1993 |
| 1994 | 1995 | 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 |
| 1984 | |||||||||
|
1984 Maurice Rosenbaum, Exotic mix a treat for London, Stage, Sept.,20,1984. |
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| 1984 Maurice Rosenbaum, Tribute to Pablo Neruda, Stage, October 25,1984. | |||||||||
| 1985 | |||||||||
| 1985 Prof. J.R.Monroy LACCS Hon. Director, Uruguayan Concert, An Speech given on the occasion of the first Uruguayan Concert, St. John's Smith Square, London,1985 (Archive). | |||||||||
| 1985 Prof. J. R. Monroy LACCS Hon. Director, Speech given at St. John's Smith Square on the occasion of the Chilean Concert, 1st November,1985. (Archive Manuscript). | |||||||||
| 1985 Gordon Philips, Music from Chile, Musical Opinion, December, 1985. | |||||||||
| 1986 | |||||||||
| 1986 LACCS-Latin American and Caribbean Cultural Society, Concert of Contemporary Chilean Music, Chilean News, London, April, 1986. | |||||||||
| 1986 Charles Myers, Operatic Music by Carlos Gomes, Musical Opinion, June, 1986. | |||||||||
| 1986 Gordon Philips, Venezuelan Composers of the 20th Century, Musical Opinion, August,1986. | |||||||||
| 1986 La Estrella de Panama, Crean en Londres Sociedad Cultural Latinoamericana, 13 de Noviembre de 1986. | |||||||||
| 1987 | |||||||||
| 1987 This is London, An Evening of Colombian Music, Francisco Zumaque, February,1987. | |||||||||
| 1987 Gra-Bretanha Hoje, F.C.O.,Compositor em resumo, March-April, 1987. | |||||||||
| 1987 The Times Diary, Court and Social, 100th Anniversary of the Birth of Heitor Villa-Lobos, April 29,1987. | |||||||||
| 1987 This is London, LACCS presents The Lontano Chamber Orchestra to celebrate 100th anniversary of the Birth of Heitor Villa-Lobos, Friday 24, April 1987. | |||||||||
| 1987 Classical Music, 100th Anniversary Birth of Heitor Villa-Lobos, 23-30 April 1987. | |||||||||
| 1987 The Diplomat, Latin American and Caribbean Cultural Society at St. John's Smith Square, May/June, 1987. | |||||||||
| 1987 Gran Bretana Hoy, F.C.O., Conciertos de Musica Latinoamericana, London,1987. | |||||||||
| 1987 Classical Guitar, LACCS, September, 1987 | |||||||||
| 1987 Gran Bretana Hoy, F.C.O. Resumen de Noticias, LACCS Concierto de Despedida a Mr John Heath, Director Canning House, September-October 1987. | |||||||||
| 1987 The Diplomat, Farewell at Canning House, September/October, 1987. | |||||||||
| 1987 The Times, Court and Social, Concert: Latin American and Caribbean Cultural Society, October 23, 1987. | |||||||||
| 1987 This is London, Music by Mexican Composers, Conchita Antunano, Soprano and Jorge Federico Osorio, piano, Friday 16th October 1987. | |||||||||
| 1987 Colin Cooper, Marco de Santi, Classical Guitar, December, 1987. | |||||||||
| 1988 | |||||||||
|
1988 Gran Bretana
Hoy. F.C.O. Conciertos de Musica Latinoamericana,
Londres,1988.
|
|||||||||
| 1988 David Allenby, Mexican Musicians, January, 1988. | |||||||||
|
1988 Gran
Bretana Hoy, F.C.O.Conciertos de Musica Mexicana, Enero/Febrero
1988.
|
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1988 The
Times, Court and Social, Concert -Latin American and Caribbean
Cultural Society,
Martha Senn, Soprano and Helvia Mendoza, piano at St.John's Smith
Square, London February,1988.
|
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1988 Concert
of Martha Senn at St.John's Smith Square, The Diplomat,
March/April,1988.
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1988 Brazilian
Music by Marlos Nobre, Martina Tafur, Soprano and Orchestra St.
John's Smith Square, Opera Magazine, Vol 39, No 4, April,
1988.
|
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1988 Denby
Richards, Marlos Nobre, preview the concert on 28th April in St.John's
Smith Square when the leading Brazilian composer will conduct his
own works,
Musical Opinion, April, 1988.
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1988 Robert
Mathew-Walker, Marlos Nobre, Music and Musicians International,
Vol.36,
No. 8, April,1988.
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| 1988 Denby Richards, Marlos Nobre Review, Musical Opinion, July,1988. | |||||||||
|
1988
Brazilian Music by Composer Marlos Nobre, This is London, Friday
22 April,1988.
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1988 The
Times Court and Social, Concert-Latin American and Caribbean
Cultural Society
(LACCS), Marlos Nobre and Orchestra of St. John's Smith Square,
April 29,1988.
|
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| 1988 Classical Guitar, Duo Montes-Kircher, April, 1988. | |||||||||
| 1988 Alirio Diaz and LACCS, Musical Opinion, June,1988. | |||||||||
|
1988
Concert of Maestro Alirio Diaz to the Diplomatic Corps at Painters
Hall,
The City of London, The Diplomat, May/June,1988.
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| 1988 R.H., Duo Puleio Deschamps, Musical Opinion, December,1988. | |||||||||
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1988
Primera Audicion en Gran Bretana, Carlos Chavez y Silvestre Revueltas,
Gran Bretana Hoy, F.C.O., Noviembre/Diciembre,1988.
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| 1989 | |||||||||
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1989 J.
R .Monroy Man with a Mission, Colin Cooper, Classical Guitar,
Vol.7, No 5, January,1989.
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| 1989 LACCS MAKES PLAN FOR 1989, Musical Opinion, January,1989. | |||||||||
|
1989 Conciertos
Latinoamericanos: Mezzo-Soprano Martha Senn, Courtney Kenny, piano
at St.John's Smith Square and Isabel Siewers with
Delos Quartet,
Argentine Music by Carlos Guastavino, Wigmore Hall, Gran Bretana
Hoy, F.C.O. May/June,1989.
|
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1989
Musica para celebrar centenario brasileiro, Gran-Bretanha Hoje,
Julho-Agosto,1989.
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1989
Operas from Mexico Contrasted with Bel Canto Tradition, Conchita
Antunano, Soprano,
Geoff Davidson, Baritone, John York, accompanist, Opera Magazine,
Vol.,40, No 49,
September,1989.
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1989
Arias de la Opera Mexicana, Gran Bretana Hoy, F.C.O.,
Noviembre-Diciembre,1989.
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| 1989 Maria Isabel Siewers, Classical Guitar, Vol.,7, No. 7, March, 1989. | |||||||||
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1989
Irina Kircher and Alfonso Montes, Wigmore Hall and Alirio Diaz at
the Painter
Hall,
Gran Bretana Hoy, F.C.O.,1989.
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1989
Beatriz Parra, Soprano (Ecuador) Courtney Kenny, accompanist, Opera
magazine,
May, 1989.
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1989 LACCS CONCERT
The Embassy of Ecuador and the Latin American and Caribbean Cultural Society (LACCS), organised a concert at St. John's Smith Square. Soprano Beatriz Parra, former Vice Minister of Culture in Quito, was accompanied on the piano by Courtney Kenny. The event was sponsored by Kappa Maritime, the Commonwealth Corporation and KLM Royal Dutch Airlines. THE DIPLOMAT, SEPTEMBER/OCTOBER 1989. |
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1989 Talent
from Italy, Marco de Santi, Guitar International, October,
1989.
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| 1989 Carlos Barbosa-Lima, Colin Cooper, Classical Guitar, October, 1989. | |||||||||
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1989 Carlos
Barbosa-Lima, George Clinton, Guitar International, December,1989.
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| 1989 Eduardo Fernandez, Colin Cooper, Classical Guitar, November,1989. | |||||||||
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1989
Good News for the Chilean Guitar, Classical Guitar, November, 1989.
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1989
EUROPEAN PREMIER OF CANTATA - ORATORIO COLOMBO by
ANTONIO CARLOS GOMES (1836-1896)
Antonio Carlos
Gomes wrote six operas:
"Fosca"(1873), "Salvator Rosa" (1874), "Maria Tudor" (1889), based on a book by Victor Hugo; "Lo Schiavo:(1889), on a theme suggested by the Viscount de Taunay, and with libretto by Camilo Paravicini; "Condor" (1891), and "Colombo" (1892). Opera-oratorio, based on the discovery of America. European Premier of Cantata - Oratorio Colombo, Royal Lancaster Hotel, London, 12 December, 1988. In the presence of Their Excellencies Celso de Souza e Silva, Brazilian Ambassador and Signor Boris Biancheri, Italian Ambassador. INTRODUCTION
by JEREMY WILKIN, Actor. OPERA SINGERS: Colombo, Oratorio in four parts by Carlos Gomes was first performed at the Teatro Lyrico de Rio de Janeiro on 12th October 1892, Fourth Centenary of the discovery of America. The Oratorio ends in great style with a magnificent hymn in praise of the New World. LACCS's contribution in England to celebrate the 500th Years of the Discovery of America. |
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| 1990 | |||||||||
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1990
Beatriz Figares, (Uruguay), Soprano en Leighton House de Londres
invitada por LACCS,
Sociedad uruguaya, Pro Opera, Ano V, No., V, Octubre/Noviembre,
1990.
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1990 Musica
Latinoamericana en Londres, Gran Bretana Hoy, Enero-Febrero,1990.
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1990 J.
R. Monroy and the New LACCS by George Clinton, Guitar
International, June,1990.
|
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| 1990 LACCS NEW SERIES, Classical Guitar, January, 1990. | |||||||||
| 1990 LACCS 1990 Series, Classical Guitar, February, 1990. | |||||||||
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1990 Musica
Brasileira em Londres, Gran-Bretanha Hoje, F.C.)., Janeiro-Bevreiro,1990.
|
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1990 Anna
Loro, Italian and South American Music Harp Music, Classical
Music, February,
1990.
|
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1990 Naggi
El Habashy, Music for Cello from Europe and Egypt, Patricia
Romero (Mexico),piano,
Classical Music, February, 1990.
|
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1990 Marcelo
Kayath, Brazil, Eliot Fisk , USA, Guitar International, April,
1990.
|
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| 1990 Eliot Fisk, Musical Opinion, April, 1990. | |||||||||
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1990 Oscar
Olhsen (Chile), Actuara en el Wigmore Hall, El Mercurio, Martes
8 de Mayo de 1990.
|
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| 1990 Oscar Olhsen, Classical Guitar, May, 1990. | |||||||||
| 1990 Oscar Ohlsen, Guitar International, May,1990. | |||||||||
|
1990 Exitoso
Debut en Londres de Guitarrista O.Ohlsen, El Mercurio,
Santiago, 9 de Junio,
1990.
|
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| 1990 Christian Chanel, Musical Opinion, July, 1990. | |||||||||
| 1990 Oscar Ohlsen Chilean Guitarist, Musical Opinion, July,1990. | |||||||||
|
1990 Recital
de violao, Gra-Bretanha Hoje,F.C.O.,London, Julho-Agosto, 1990.
|
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1990 Oscar
Ohlsen at the Wigmore Hall, H de C., Guitar International,
August, 1990.
|
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| 1990 Oscar Ohlsen by Colin Cooper, Classical Guitar, Sept., 1990. | |||||||||
| 1990 LACCS CONCERTS, The Diplomat, September/October, 1990. | |||||||||
| 1990 Roberto Aussel, Guitar International, October, 1990. | |||||||||
|
1990 Roberto
Aussel makes return visit, Colin Cooper, Classical Guitar,
October, 1990.
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| 1990 Jorge Federico Osorio, Musical Opinion, Noviembre, 1990. | |||||||||
|
1990 Andean
and Argentinian Music by Eduardo Falu/Jaime Torres, Classical
Guitar, Nov., 1990.
|
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| 1990 Eduardo Falu by Colin Cooper, Classical Guitar, November, 1990. | |||||||||
|
1990
COLUMBUS
LACCS
TOWARDS 1992
THE QUINCENTENARY
OF CHRISTOPHER
COLUMBUS APERTURE
OF THE SINGLE EUROPEAN MARKET
ANNUAL HEADS OF MISSION GALA CONCERT LE MERIDIEN, LONDON 3rd DECEMBER 1990 AT 6.30 PM. THE HOSTS
FOR THE EVENING:
HE The Ambassador of the Argentine Republic and Senora Magdalena de Campora HE the High Commissioner for Guyana and Mrs Cita Pilgrin The Gala Concert
Luis Rizzo Trio
Musique de Buenos
Aires
TANGOS D'HIER
ET D'AUJOURD'HUI
The trio's repertoire
includes music by Greco,
Piazzolla, Troilo, Berlingheri, Juan Carlos
Cobian and Luis Rizzo himself.
THE DIPLOMAT,
NOVEMBER/DECEMBER 1990.
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| 1991 | |||||||||
| 1991 LACCS'S NEW SEASON STARS, Classical Guitar, January, 1990. | |||||||||
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1991 Jorge
Federico Osorio, Mexican Pianist, Gran Bretana Hoy, F.C.O. London,
Enero-Febrero,1990.
|
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| 1991 Trieste Harp Ensamble, Musical Opinion, January, 1991. | |||||||||
| 1991 Assieme Chitarristico Italiano, Musical Opinion, April, 1991. | |||||||||
| 1991 Trieste Harp Ensamble Concert Review, Musical Opinion, April, 1990. | |||||||||
| 1991 Four Harpist. The Times, Monday 14, January 1991. | |||||||||
|
1991 Roberto
Aussel, Eduardo Falu, Jaime Torres and His Folk Group,
Classical Guitar,
February, 1991.
|
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| 1991 Arnaud Dumond, Classical Guitar, March 1991. | |||||||||
| 1991
HACIA EL REESTABLECIMIENTO DE ESTRECHOS LAZOS. Con
la reanudacion de las relaciones diplomaticas entre
Gran Bretana
y Argentina en 1990, la Embajada de Argentina en
Londres inmediatamente comenzo a tomar parte en la
presentacion
de acontecimientos culturales, con el fin de apoyar
la reintroduccion de musica y artes Argentinas dentro
del ambiente
Britanico. En
asociacion con la Embajada, la Sociedad Cultural Latino-
americana y Caribena
(Latin American and Caribbean Cultural Society
-LACCS), organizo un festival de musica Argentina en
Londres. Dicho
festival comenzo en Octubre con el recital a cargo
del destacado guitarrista Argentino Roberto Aussel en
el Wigmore Hall.
En presencia del Embajador argentino en Gran
Bretana, S.E. Dr Mario Campora, el Sr Aussel interpreto
musica de compositores
Europeos, incluyendo el compositor Britanico
Sir William Walton. Su repertorio tambien incluyo
"Tres Valses"
de Antonio Lauro y la primera interpretacion de
"Nexus 83" pieza que el compositor Franco-Argentino Jose
Luis Campana
dedico al Sr Aussel. El
Dr Campora actuo como anfitrion en la recepcion que
tuvo lugar despues
del recital, del mismo modo que hizo durante
el intervalo de otro concierto celebrado a primeros
de Noviembre
en el Purcell Room, uno de los salones en el centro
artistico de South Bank. Este acontecimiento propor-ciono la oportunidad
unica de escuchar al guitarista EDUARDO FALU
y al grupo de Jaime Torres tocando juntos, todos los
asientos en el
recinto fueron vendidos. En la primera parte del
programa el Sr Falu canto y toco canciones populares
argentinas. A
continuacion Jaime Torres y su grupo folklorico
realizaron una
magnifica interpretacion de musica compuesta por
el mismo, Jose Ramirez y Julio A. Perez, finalizando con la
"Peregrinacion"
. Por ultimo el Sr Falu y el grupo de Jaime Torres
interpretaron juntos. Foreign and Commonwealth Office. GRAN BRETANA HOY, MARZO- ABRIL, 1991. |
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|
1991 From
Bach to Bonfa and Back. A Profile of Carlos Barbosa-Lima by Colin
Cooper,
Classical Guitar, April, 1991.
|
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|
1991 Carlos
Barbosa-Lima, Guitar News Compiled by Colin Cooper, April,
1991.
|
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1991 Fascinating
programme of Music from the Brazilian Amazon, Musical
Opinion, April,
1991.
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| 1991 LACCS commissions new work, Classical Guitar, April, 1991. | |||||||||
| 1991 Music of the Amazon, London Information, April, 1991. | |||||||||
| 1991 Luis Orlandini, Classical Guitar, June, 1991. | |||||||||
|
1991 Luis
Orlandini Actuara en el Wigmore Hall, El Mercurio, Santiago,
Jueves 23 de Mayo,
1991.
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1991 Luis
Orlandini Obtuvo un gran Exito en Londres, El Mercurio, Viernes
12 de Julio,1991.
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| 1991 Busy Month for LACCS, Musical Opinion, June, 1991. | |||||||||
| 1991 Marlos Nobre on the South Bank, Musical Opinion, May, 1991. | |||||||||
| 1991 Arnaud Dumond, Musical Opinion, July 1991. | |||||||||
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1991 Guitar
Duo Garau-Millet, Purcell Room, London Information, August,
1991.
|
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1991 Carlos
Barbosa-Lima with Thiago de Mello by Therese Vassily Saba,
Classical Guitar,
September, 1991.
|
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| 1991 Luis Orlandini by GC, Musical Opinion, September, 1991. | |||||||||
| 1991 Luis Orlandini at the Wigmore Hall, Classical Guitar, October, 1991. | |||||||||
|
1991 Jacqueline
Puleio and Pierre Deschamps, Four Hands Piano Recital,
Musical Opinion,
October, 1991.
|
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| 1991 Garau Millet by Colin Cooper, Classical Guitar, December, 1991. | |||||||||
| 1992 | |||||||||
|
1992 THE
LATIN AMERICAN GUITAR IN LONDON, JUAN MONROY TALK TO COLIN COOPER,
Classical Guitar, January 1992.
|
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|
1992 LACCS
IN 1992. Geoffrey Crankshaw talk to Juan Monroy, the moving
spirit behind the
Latin American and Caribbean Cultural Society, Musical Opinion,
February, 1992.
|
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1992 Berta
Rojas -Guitar from Paraguay - Musical Opinion, London, February,
1992.
|
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| 1992 Laurindo Almeida in London, Classical Guitar, London, March, 1992. | |||||||||
|
1992
Barrios and Berta Rojas by Colin Cooper, Classical Guitar, London,
March, 1992.
|
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|
1992
Berta Rojas, Purcell Room, Colin Cooper, Classical Guitar, London,
June, 1992.
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1992
Hassan Kamy, Tenor and Iman Moustafa, Soprano, Arias and Songs on
the Bel
Canto Tradition, The Embassy of the Arab Republic of Egypt/LACCS
Quincentenary
of Christopher Columbus, Opera Magazine, London, May, 1992.
|
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| 1992 Berta Rojas On the South Bank, Musical Opinion, London, May, 1992. | |||||||||
|
1992
Italian Guitars, Percussion and Voice, Musical Opinion, London,
May 1992.
|
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|
1992
Carlos Barbosa-Lima and the Wren Orchestra of London, Conductor
Martyn Brabbins,
Colin Cooper, Classical Guitar, London, June, 1992.
|
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| 1992 Carlos Barbosa-Lima, Musical Opinion, London, June, 1992. | |||||||||
|
1992
Egyptian Opera Stars in London, Egyptian Embassy and LACCS, Musical
Opinion, London,
July,1992.
|
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|
1992
Octavio Lafourcade in LACCS Series, Classical Guitar, London,
July,1992.
|
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|
1992
Exito en Londres para Musico Chileno, Octavio Lafourcade, El
Mercurio, Santiago,
Agosto, 1992.
|
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| 1992 Assieme Chitarristico Italiano, GC, Musical Opinion, August, 1992. | |||||||||
| 1992 Laurindo Almeida, Classical Guitar, London,October, 1992. | |||||||||
|
1992
Symphonic Music from Mexico with the Wren Orchestra of London,
Conductor, Enrique
Diemecke and piano Jorge Federico Osorio, Musical Opinion,
London, November,
1992.
|
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| 1992 LACCS SEASON, Classical Guitar, London, November, 1992. | |||||||||
|
1992
Assieme Chitarristico Italiano at St. John's Smith Square,
Classical Guitar
London, November, 1992.
|
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|
1992 CONCIERTO
DE DESPEDIDA A 1992: El ultimo concierto organizado por la
Latin American and
Caribbean Cultural Society (LACCS) en este ano repleto
de actividades - celebratorias o anti-celebratorias - tuvo lugar
a mediados
de Noviembre en St. John's Smith Square de Londres. Alli, donde
gracias
a LACCS escucharamos en otras oportunidades a Eduardo Falu y a
Laurindo
Almeida (solo para nombrar un par de musicos), se dieron cita
mexicanos
conocedores de la musica sinfonica de ese pais en una velada llena
de
compensaciones. Virginia Shoppee converso con Enrique Diemecke,
director
artistico de la Orquesta Sinfonica de Mexico, antes del concierto.
Latin
American CHASQUI, London, December 1992-January 1993.
|
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| 1993 | |||||||||
|
1993 Mexican
Music at St. John's, BH., Musical Opinion, London, January.1993.
|
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|
1993 CONCERTISTA
EN GUITARRA VIAJA OTRA VEZ A LONDRES, La Tercera, Santiago de Chile,
Lunes 22 de Febrero de 1993. " Todo un honor constituye
para el
Profesor del Instituto de Musica de la Universidad Catolica, Oscar
Ohlsen, la
invitacion que por segundo ano le realiza la organizacion Britanica
"Latin
American and Caribbean Cultural Society", dirigida por el Chileno
Juan R. Monroy
donde cada ano se presentan los mas importantes guitarristas del
mundo..."
|
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|
1993 The
Chilean guitarist OSCAR OHLSEN is returning to London to give a
recital at the Wigmore Hall on 26th February at 7.30 pm. Musical
Opinion, London, February, 1993.
|
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|
1993 EMPRESARIO
CHILENO ORGANIZA CONCIERTOS EN SALAS IMPORTANTES DE LONDRES, Juan
Monroy posee una destacada organizacion
artistica, Diario "La Epoca", Santiago de Chile, 3 de
Marzo, 1993.
|
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|
1993
BOLIVIAN QUECHUA SINGER Luzmila Carpio comes to the South
Bank on 18th March, Musical Opinion, London, March, 1993.
|
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|
1993
SONGS OF THE INDIAN LAND, music & spiritual songs of the indians
of Bolivia & festival rituals by Luzmira Carpio and Heriberto
Santiago
Murillo. First Concert in Aymara-Quechua language from the Andes,
The Daily Telegraph, Saturday, March 13,1993.
|
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|
1993
MUSICO CHILENO EN INGLATERRA: Elguitarrista Oscar Ohlsen ofrecio
el 26 de Febrero un concierto en el Wigmore Hall de Londres. Su
presentacion
estuvo enmarcada en las actividades que lleva a cabo la Sociedad
Cultural
Latinoamericana y Caribe (LACCS en su sigla Inglesa). Patrocinaron
el evento
S.E. Sr. German Riesco, Embajador de Chile en Londres y el
Ministerio de Relaciones
Exteriores de Chile. Diario EL Mercurio, Santiago de Chile, Jueves
11 de Marzo de 1993.
|
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|
1993 LACCS'S
LATEST PLAN. GEOFFREY CRANKSHAW TALK TO JUAN MONROY,
Musical Opinion, London, April,1993.
|
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|
1993
LAURINDO ALMEIDA AND DELTRA EAMON : ROMANTIC SONGS FROM BRAZIL
Wigmore Hall, 28th May, 1993, Classical Guitar, London, May, 1993.
|
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|
1993
Oscar Ohlsen at the Wigmore Hall, Musical Opinion, London, April,
1993.
|
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|
1993
ENSAMBLE LATINO - Tangos and Songs from Latin America, St. John's
Smith
Square, Tuesday 18th May at 7.30 pm., Musical Opinion, London,
May,1993.
|
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|
1993
ENSAMBLE LATINO, a trio of voice and guitars, will give a recital
entitled Tango and Latin American Songs on Tuesday 18 May, 7.30
pm., at St John's
Smith Square. The trio was formed in 1992 by three Argentine
musicians from
Buenos Aires who were living in Madrid: vocalist, Veronica Lepori,
Mario
Soriano on Keyboard and guitar and Ezequiel Lezama Camili on
guitar, oboe,
and alto sax. Classical Guitar, London, May 1993.
|
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|
1993
MUSIC FROM THE CARIBBEAN AND THE AMERICAS by CHERRY MENDEZ, soprano,
Nicholas Bosworth, piano, Purcell Room, Monday 28th June 1993,
7.30 pm.,
Musical Opinion, London, June, 1993.
|
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|
1993
Ensamble Latino, St. John's Smith Square, Therese Wassily Saba,
Classical Guitar,
July 1993.
|
|||||||||
| 1993 Sharon Isbin, HIGH NOTES, Musical Opinion, London, June, 1993. | |||||||||
|
1993
ISBIN IN LONDON, Classical Guitar News compiled by Therese Wassily
Saba, Classical Guitar,
London, June, 1993.
|
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|
1993 The
Chilean guitarist OSCAR OHLSEN is returning to London
to give a recital in the Wigmore Hall on the 26th February at 7.30
pm. His programme includes John Duarte's Birds and work by Barrios,
Joplin, Leo Brouwer, Pujol, Dyens and music by two Chilean composers:
The First Sonata by Pablo Delano and Creole et Fontaine by Edmundo
Vasquez. Musical Opinion, February, 1993.
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|
1993 Symphonic
Music from Mexico with Enrique Diemecke, Guest Conductor, Royal
Philharmonic Orchestra, Carlos Prieto, Cellist. LACCS in Association
with the Instituto Nacional de Bellas Artes (INBA) and the Mexican
Embassy. Independent, London, Friday 17 September 1994.
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|
1993 Latin
American Tangos in St. John's ..."One of the great pleasures
of attending any performance mounted by the Latin American and Caribbean
Cultural Society is the unexpected delights it provide for those
of us unfamiliar with Latin American music"... Musical
Opinion,
BH, July, 1993.
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|
1993 Symphonic
Music from Mexico, The Sunday Times, The Culture, 12
September,
1993.
|
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|
1993 Symphonic
Music from Mexico, The Daily Telegraph, Weekend, Saturday
September 18, 1993.
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|
1993 LUZMILA
CARPIO, Purcell Room, London, 18th March, 1993. "The Latin
American and Caribbean Cultural Society often brings guitarists
to England to perform and we are very lucky for the perseverance
and hard work of its director Juan Monroy. Based on the success
of his classical music series which promoted performers
and music from South America he has commenced to presenting South
American folk music. Luzmila Carpio made her first London
appearance
at the Purcell Room as part of this series..." Therese
Wassily Saba,
Classical Guitar, July, 1993.
|
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| 1993 Mexican Music at the Barbican, Musical Opinion, November, 1993. | |||||||||
| 1994 | |||||||||
|
1994
Guitarista Luis Orlandini Actuara en Inglaterra. El concertista
Chileno
se presentara en el Purcell Room de Londres, en el marco del
decimo
aniversario de la organizacion cultural LACCS... El Presidente de
LACCS,
el Chileno Juan Monroy, ha desarrollado por anos una extensa
labor en
pro de la difusion de la musica clasica de Latinoamerica en
Europa..."
El Mercurio, Santiago de Chile, 16 de Febrero de 1964.
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|
1994 Therese
Wassily Saba: REVIEW, Luis Orlandini, Purcell Room, London,
28 February 1994. Classical Guitar, London, March 1994.
|
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|
1994
Musical Opinion: The Chilean guitarist Luis Orlandini gives a
recital
in the Purcell Room on 28th February, organised by Juan Monroy of
LACCS in association with the Chilean Embassy, in the presence of
H. E. Senor Hernan Errazuriz, the Chilean Ambassador..."
|
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| 1994 Orlandini at the Purcell Room, Classical Guitar, February, 1994. | |||||||||
|
1994
Luis Orlandini Guitar at the Purcell Room, Chilean Embassy in association
with LACCS, The Sunday Times, The Culture, 27 February,
1994.
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|
1994
Luis Orlandini, Chilean and European Music, The Daily Telegraph,
Saturday, February 26, 1994.
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|
1994
Luis Orlandini, The Times, Today's Events, Monday 28 February 1994.
" A rare opportunity to listen this Chilean guitarist give
a recital
of music from Latin America, Britain and Europe..."
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|
1994
LACCS - A TENTH ANNIVERSARY by COLIN COOPER. ..." Juan Monroy
has built LACCS into the leading UK organisation promoting Latin
American classical music. The musical scene in London
would be very much poorer without his organisation, and we can
only
hope that its operations will long continue." Classical
Guitar, April,
1994.
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|
1994
10 YEARS OF LACCS. GEOFFREY CRANKSHAW LOOKS BACK AND FORWARD ON
A REMARKABLE SUCCESS STORY. ..." last month Brian Hick reviewed
a number of Latin American recordings
-
something which would have been virtually impossible before the
arrival
of LACCS. This month we look forward to hearing the Garau-Millet
Guitar
Duo at St. John's Smith Square on 15 April. We wish LACCS a very
happy Tenth Birthday. May there be many more.
Musical Opinion, April, 1994
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|
1994 Enrique
Diemecke dirigira a la Royal Philharmonic Orchestra de Londres,
el 15 de Septiembre proximo durante el segundo concierto de
musica Mexicana en el Royal Festival Hall de la capital Inglesa.
Con Huapango de Moncayo, y el estreno en GB de La noche de los Mayas
de Revueltas. J.R. Monroy, Presidente de LACCS (Latin American and
Caribbean Cultural Society), llegara hoy a Mexico para entrevistarse
manana con el titular del CNCA, Rafael Tovar, y explicarle el proyecto...
CANASTA CULTURAL, Eduardo Camacho Suarez, El EXCELSIOR, EL
PERIODICO DE LA VIDA NACIONAL, Seccion Cultural, 10 de Mayo de 1994.
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| 1994 PROMUEVEN EN INGLATERRA MUSICA LATINOAMERICANA. Diemecke dirigira a la Royal Philharmonic Orchestra. Latin American and Caribbean Cultural Society, dirigida por Juan R Monroy permite que se interpreten las obras de CARLOS CHAVEZ Y SILVESTRE REVUELTAS en las Islas Britanicas. REFORMA, Mexico, D.F., Viernes 13 de Mayo de 1994. | |||||||||
| 1994 CONCIERTO MEXICANO EN EL ROYAL FESTIVAL HALL, "Como abrir una caja de sorpresas, " cuyo contenido encanta, llega, definio J. R. Monroy la reacion que en miles de espectadores ha despertado la realizacion a lo largo de 10 anos de recitales y conciertos de musica de America Latina, que el a traves de su grupo Latin American and Caribbean Cultural Society (LACCS) ha llevado a Londres" ... " J. R. Monroy recordo que aunque otros Directores como Batiz y Mata han dirigido y/o grabado musica con la RPO, en esta ocasion el proyecto de LACCS es dedicar el programa completo a nuestro pais., "con lo que seguramente habra retroalimentacion porque a traves de la musica no solo damos el mensaje, sino que llevamos la imagen de Mexico que mas tarde dara respuestas que se expresaran a traves del comercio, las relaciones politicas y el intercambio cultural"...... J. R. Monroy considera deque a traves del trabajo de LACCS, "la gente se relaciona con otras culturas, a veces muy lejanas aellos, y se familiarizan con otras formas de vida"..., EXCELSIOR, Patricia Rosales y Zamora, Mexico , D.F. , Jueves 12 de Mayo de 1994. | |||||||||
| 1994 Garau-Millet, The Garau-Millet Duo were melodious with the English Chamber Orchestra, most ably conducted by Charles Peebles in St. John's Smith Square, GC., Musical Opinion, July-August 1994. | |||||||||
| 1994
BALLET FOLKLORICO DE CHILE. BAFOCHI. " What a show though and given the boundaries of folk dancing, one that entertained riotously"..., Emma Manning, The Stage, 30th June, 1994. |
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| 1994 BAFOCHI ON THE SOUTH BANK " On the 25 May the humdrum atmosphere of the South Bank was lit with South American sunshine when the gifted and extremely lively dance and song company BAFOCHI from Chile presented a superb programme of national songs and dances. "... Every seat was sold, and the audience applauded vociferously - with ample justice, for this was a triumphant evening, given under the patronage of the Chilean Ministry of External Relations, not forgetting the benign supervision of LACCS. All I can say is "come again - soon". GC., MUSICAL OPINION, Summer, 1994. | |||||||||
| 1994 TRADITIONAL SONGS AND MUSIC FROM VIETNAM Purcell Room, The Daily Telegraph, Saturday, July 16, 1994. | |||||||||
| 1994 VIETNAMESE ON THE SOUTH BANK, Musical Opinion, Autumn, 1994. | |||||||||
| 1994 Vietnamese Traditional Song and Dance Group, Purcell Room, London, FOLK ROOTS, November, 1994. | |||||||||
| 1994 CELIA LINDE ON THE SOUTH BANK MUSICAL OPINION, Autumn, 1994. | |||||||||
| 1994 Uruguayan Bandoneon virtuoso, Rene Marino Rivero, plays Latin-American Tangos and Bach in the Purcell Room on the 1 August. The ever enterprising Latin American and Caribbean Cultural Society, who have recently celebrated their Tenth Anniversary, have an exiting series of concerts over the Summer. On the 16 June they present the GUATEMALA ENSAMBLE at the Purcell Room, who bring a fresh approach to guitar playing. They follow the style created by Jorge Martinez Zarate with his own Guitar Quartet, and have adapted and developed it to fit their own cultural context. The Ensemble uses a marimba in addition to the guitars, creating a unique blend of sound which reflects the meeting of indigenous and Spanish elements in much of their work. Musical Opinion, Summer,1994. | |||||||||
| 1994 GUATEMALA ENSAMBLE. " A combination of three guitars and marimba, which makes up William Orbaugh and The Guatemalan Ensemble, might seem an exotic group for the Purcell Room, but the recital there on the 16th June turned out, on a hot Summer evening, to be a welcome and by no means inappropriate change for the large and enthusiastic LACCS audience. This was a very enjoyable concert, and a return engagement should ensure a warm welcome for these talented players", RM-W., Musical Opinion, 1994. RENE MARINO RIVERO ON THE SOUTH BANK. Rene Marino Rivero gave a fascinating recital at the Purcell Room on 1 August. This was another well organised event under the tireless auspices of LACCS and Juan R. Monroy. He was playing a Bandoneon a kind of accordion, invented in Germany in 1840 and strongly taken up in Latin America. G.C., Musical Opinion, Autumn, 1994. | |||||||||
| 1995 | |||||||||
| 1995 LACCS IN 1995, BRIAN HICK ANTICIPATE A STIMULATING SEASON. " In little more than a decade Juan R. Monroy has made the Latin American and Caribbean Cultural Society- known to its many friends as LACCS - one of the most exiting and innovative music promoters in the country. His disarmingly polite and charming manner, responsive of each individual as if a personal friend regardless of whether this was a first meeting with a new member of the audience or a visiting ambassador, has enable him to establish a secure audience for concerts, which, given the current dearth of novelty within the serious music market, in many ways should only attract a smattering of interest, but which in the event command attention. Much of this is down to the constant high quality of the performers he brings to this country and the superb level of enjoyment all of us get from them. It is obvious both from what I am writing here and from my reviews of earlier performances that I am an enthusiastic follower of LACCS programmes. This should not imply that I enjoy them all equally but that they are never less than stimulating and always leave me wondering what on earth Juan is going to come up with next...", Musical Opinion, Winter,1994. | |||||||||
|
1995
CON LA MUSICA EN EL CORAZON
COMPOSITOR Y MUSICO ARGENTINO PREPARA SU PRESENTACION EN LONDRES. "Todos los que tocan instrumentos populares no saben musica, esta es una de las osadas afirmaciones que hizo Ariel Ramirez, musico Argentino cuando presento ante la prensa sus planes para el proximo concierto de su "Misa Criolla" en Londres. Proyecto musical bajo el auspicio de Latin American and Caribbean Cultural Society y la Embajada Argentina en Londres. MUNDO LATINO, Edicion Quincenal, Londres, ano 1, No 2 - 28 de Febrero de 1995. |
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|
1995. ALIRIO
DIAZ, GUITARISTA VENEZOLANO
RINDIO HOMENAJE EN LONDRES A ANTONIO LAURO. CRONICA POR LEO PAREJAS
El guitarista clasico Alirio Diaz, considerado como el maximo exponente musical Venezolano en el exterior, rindio el pasado 23 de Febrero en el Purcell Room del South Bank de Londres, un extraordinario homenaje al musico y compositor tambien Venezolano, Antonio Lauro (1917-1986), El guitarista fue ovacionado con los aplausos del publico por varios minutos y se vio obligado a salir del camerino en varias oportunidades y complacer con varias piezas mas. Durante el concierto, Alirio Diaz interpreto magistralmente piezas musicales no solo del folklore venezolano sino de otros paises Latinoamericanos. La presentacion en Londres del guitarista venezolano se dio gracias a la promocion de Latin American and Caribbean Cultural Society que dirige Juan R Monroy y a la colaboracion de la Embajada de Venezolana por intermedio del Senor Alfonso Montes, director del Bolivar Hall. PROMOVIENDO LA MUSICA Latin American
and Caribbean Cultural Society es una entidad que desde hace
10 anos he venido haciendo un trabajo de promocion de la musica
latinoamericana en el Reino Unido. "Esta labor ha sido muy
silenciosa pero fructifera; esta dirigida mas que todo hacia el
publico Britanico y durante el desarrollo de las actividades artisticas,
hemos hecho un recorrido por casi todos los paises latinoamericanos"
senalo Juan R Monroy, chileno, director de la institucion. "Nuestro
proposito ha sido difundir la musica clasica principalmente,
porque siempre ha estado ahi enterrada. No se sabia nada de ella
en Europa. Nuestra organizacion lo que ha buscado siempre es crear
un espacio, abrir una ventana para que nuestros artistas vengan
a Londres y a Europa".
CRONICA LATINA,
PERIODICO INDEPENDIENTE LATINOAMERICANO, MARZO 1995, LONDRES, INGLATERRA.
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1995
BERTA ROJAS IN LONDON. Berta Rojas will be returning to London this
month to give a recital at the Purcell Room on Monday 27 March.
Her programme includes Sonatina Meridional by Ponce, El Decameron
Negro by Brouwer, Sonata Op. 47 by Ginastera and a numbers
of works by Barrios: Mazurca Apasionata Cueca, Las Abejas and Maxixe.
Classical Guitar, March 1995.
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|
1995
Berta Rojas plays in the Purcell Room on 27th March, Duo Montes
Kircher plays Venezuelan and other music on the South Bank on 8
June.
WINTER 1994, MUSICAL OPINION. |
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|
1995 BERTA
ROJAS PROMOVIENDO LA GUITARRA CLASICA EN EUROPA. POR LEO PAREJAS
"LONDRES ABRIO LAS PUERTAS A MI CARRERA ARTISTICA"
Ademas, senalo
a este periodico que precisamente en este mismo recinto Purcell
Room del South Bank inicio su carrera internacional en 1992. "Fue
una linda y muy comprometedora experiencia lo que vivi en ese recital",
dijo. "Ese concierto fue el primero que ofreci en el extranjero
y el que me abrio las puertas de mi carrera. En aquella ocasion
estaba muy nerviosa, el vestido que use lo sentia muy incomodo,
temia cometer errores, pero al final, todo salio bien. Claro
que hoy, tres anos despues, he madurado mucho mas como artista incluso
puedo decir que ya tengo mi propia personalidad, mi propio estilo,
enfatizo Berta Rojas. Por ultimo Berta Rojas se mostro muy
agradecida de Latin American and Caribbean Cultural Society (LACCS),
en Londres, organizacion ha hecho posible sus dos conciertos
en esta cuidad. Igualmente recalco el apoyo que ha tenido por parte
de la Embajada de Paraguay en el Reino Unido.
CRONICA LATINA, PERIODICO INDEPENDIENTE LATINOAMERICANO, LONDRES INGLATERRA, EDICION NUMERO 96, ABRIL DE 1995. |
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|
1995 MISA
CRIOLLA - PRIMERA
PRESENTACION EN GRAN BRETANA POR SU AUTOR ARIEL RAMIREZ.
Domingo Cura
(Percusion)
Zamba Quipildor
(Tenor)
Facundo Ramirez
(Piano)
Jorge Rojas (Baritono)
Cuarteto de los
Andes (Andean Instruments)
JUEVES 1 DE JUNIO
1995 A LAS 7.30 PM.
ROYAL FESTIVAL HALL - LATIN AMERICAN AND CARIBBEAN CULTURAL EN ASOCIACION CON LA EMBAJADA DE ARGENTINA. CRONICA LATINA,
PERIODICO INDEPENDIENTE LATINOAMERICANO LONDRES, INGLATERRA, EDICION
96, ABRIL DE 1995.
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|
1995
RAMIREZ' MISA CRIOLLA IN THE RFH
Many of us have lived with the original recording of Ariel Ramirez' MISA CRIOLLA since its release in the sixties, but until now we have had no opportunity to experience it live. On 1 June the ever enterprising LACCS brought the composer himself and in a highly enthusiastic and talented group of soloists together with the Royal Choral Society for its first British performance at the Royal Festival Hall... There were a number of encores which were clearly well known to the majority of the audience, beautifully performed and ecstatically received even if unfamiliar to the writer who was simply grateful to be there. I understand that Juan R Monroy is thinking of mounting a similar evening of Andean music. I can't wait! BH. MUSICAL OPINION, VOL.118, AUTUMN 1995. |
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| 1995
THE TRADITIONAL MUSIC AND OPERA FROM VIETNAM Music from the
North, Central and South Vietnam & three styles of Vietnamese
opera: Cheo (Popular), Tuong (Traditional) and Cai Luong (Renovated). The Sunday Times, The Culture, 21 May,1995. |
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|
1995 VIETNAMESE
TRADITIONAL MUSIC AND OPERA, Queen
Elizabeth Hall. From Argentina "MISA CRIOLLA",
by Ariel Ramirez with the Royal Choral Society and Cuarteto de los
Andes. Royal Festival Hall.
THIS IS LONDON, 19 May, 1995. |
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|
1995 RAMIREZ,
MISA CRIOLLA. CUARTETO DE LOS ANDES, ROYAL CHORAL SOCIETY.
Ariel Ramirez (cond) with Ramirez "Nacimiento del Charango";
Melo, "Desde el Alma; Ramirez/Luna, "Navidad Nuestra".
The Daily Telegraph, 27 May, 1995 |
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|
1995 MISA
CRIOLLA FROM ARGENTINA. BRITISH PREMIER BY THE COMPOSER. COMPOSER/DIRECTOR
ARIEL RAMIREZ. Thursday 1st June at 7.30 p.m. Royal Festival Hall,
with the Royal Choral Society, Wynne-Griffiths, conductor. KIRIE,
vidala-baguala, GLORIA, carnavalito-yaravi, CREDO, Chacarera-trunca,
SANCTUS, carnaval-cochabambino, ANGUS DEI, estilo pampeano. Domingo
Cura, percussion, Zamba Quipildor, tenor, Facundo Ramirez, piano,
Jorge Rojas, baritono, Cuarteto de los Andes, Andean Instruments,
Embassy of the Argentine Republic in association with the Latin
American and Caribbean Cultural Society (LACCS), The Daily Telegraph,
Saturday, 27 May, 1995.
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|
1995 MISA
CRIOLLA FROM ARGENTINA. BRITISH PREMIER ROYAL FESTIVAL HALL. THE
EMBASSY OF THE ARGENTINE REPUBLIC IN ASSOCIATION WITH LACCS, The
Guardian, Saturday 27 May 1995.
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|
1995
LACCS CONCERT The 7th Annual Heads of Mission Gala Concert and Dinner
held by the Latin American and Caribbean Cultural Society took place
in Le Meridien Hotel, Piccadilly. The evening was co-hosted by the
Ambassador of Angola Senhor Antonio da Costa Fernandes and Senhora
da Costa Fernandes, the High Commissioner for Antigua and Barbuda,
HE Mr James Thomas, the Ambassador of Ukraine Professor Sergui Komissarenko
and Mrs Komissarenko and the President of LACCS Professor J R Monroy,
DIPLOMAT, May/June 1995.
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|
1995 GUITARISTA
FROM ECUADOR. TERRY PAZMINO, a guitarist
of some reputation from Ecuador, will be given his London debut
recital at the Purcell Room on the 31 July in the presence of the
Ambassador of Ecuador Senor Patricio Maldonado. Pazmino will perform
a programme of music from Ecuador including the British premier
of his own work SUITE ECUATORIANA, Terry Pazmino comes from Quito
in Ecuador and studied with Antonio Lauro, Alirio Diaz and Alberto
Ponce. This concert had been organised by the Latin American and
Caribbean Cultural Society which is directed by J R Monroy, Classical
Guitar, July, 1995.
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| 1995
JAM QUARTET. Purcell Room, South Bank Centre 18th
April 1995. THE JAM QUARTET from Finland who
are named after their teacher Juan Antonio Muro,
played a programme of South American music with
one Finnish interleaving, as part of the LACCS Series.
They are an extremely musical ensemble and this
shown in everything they touched. CLASSICAL GUITAR, JULY, 1995. |
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| 1995
JAM ON THE SOUTH BANK In
association with LACCS the Finnish Embassy presented
a concert at the Purcell Room on 18th
April featuring the JAM GUITAR QUARTET. This ensemble
took shape at the Helsinki Conservatory in
1988' all its members were students there. They
have become a
most impressive group, all four musicians being
first class guitarists. MUSICAL OPINION, SUMMER,1995. |
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| 1995
BERTA ROJAS ON THE SOUTH BANK The
Paraguayan guitarist Berta Rojas launched a new
series of recitals promoted by the Latin American
and Caribbean Cultural Society (LACCS), at
the Purcell Room on 27 March with a programme of
highly attractive works, most of which were unknown
to the British
audience. MUSICAL OPINION, SUMMER, 1995. |
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| 1995
ECUADOR. GUITARRISTA ECUATORIANO SE PRESENTA EN
EL SOUTH BANK
CENTRE. TERRY
PAZMINO es original de Quito (Ecuador), pero paso
gran parte de
su juventud en Venezuela donde tuvo la oportunidad
de estudiar guitarra. Terry corrio con la suerte
de tener como maestros a dos grandes interpretes
del instrumento
como fueron Antonio Lauro y Alirio Diaz. Luego
de 11 anos de preparacion se graduo en Caracas y
obtuvo el primer premio por la interpretacion del
"Concierto
para Guitarra y Orquesta" de Antonio Lauro.
Mas adelante
recibio una beca de la UNESCO para estudiar con
el Maestro Espanol Alberto Ponce en el "Conservatoire de
la Courneuve"
en Paris. Como compositor, escribe encantadoras
piezas propias
de la musica Sudamericana, que se derivan de formas
de musica del folklore Andino de origen Hispano-Quechua,
incluyendo ritmos
como el "pasillo", "San Juanito" y la "Danza".
Sus trabajos
mas notables son la "Suite Ecuatoriana No 1 para
Guitarra"
y "Sones Transhumantes para violin y guitarra" Su
concierto es
auspiciado por la Embajada de Ecuador en conjunto
con Latin American
and Caribbean Cultural Society (LACCS). MUNDO LATINO, LONDRES, JULIO, 1995. |
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| 1995. NOTABLE ARTISTA ECUATORIANO EN LONDRES. MAESTRO TERRY PAZMINO DEBUTARA EN EL PURCELL ROOM DEL SOUTH BANK CENTRE. El Maestro Terry Pazmino estrenara en Londres su obra titulada 'SUITE ECUATORIANA' tan elogiada por la critica en Estados Unidos, Canada, Alemania y Francia. Este es un trabajo serio de investigacion y estudios musicales que realizo en Venezuela con el Maestro Antonio Lauro. Esta suite se basa en las cuatro regiones de Ecuador, la Costa, La Sierra, Oriente y Region Insular, utilizando los giros caracteristicos de las diferentes zonas anteriormente mencionadas. Su ultimo disco compacto grabado en 1994 "Guitarra Ecuador", ha sido elogiado en Canada y Estados Unidos como un nuevo aporte a la musica de la guitarra Latinoamericana. El concierto forma parte de la Serie Internacional de Guitarra de LACCS, que dirige J. R. Monroy desde 1984 y en la cual han participado exponentes como Alirio Diaz (Venezuela), Carlos Barbosa-Lima (Brasil), Eduardo Falu (Argentina) y otros nombres de fama internacional. CRONICA LATINA, PERIODICO INDEPENDIENTE LATINOAMERICANO, LONDRES, INGLATERRA, JULIO, 1995. | |||||||||
| 1995 TERRY PAZMINO GUITAR MUSIC FROM ECUADOR. THE GUARDIAN GUIDE, JULY, 1995 | |||||||||
| 1995
MARIMBA NACIONAL DE CONCIERTO IN THE PRESENCE OF
THE AMBASSADOR OF GUATEMALA AND SRA ELLA DE NANE.
PURCELL ROOM, WEDNESDAY 2nd AUGUST 1995 EL MUNDO LATINO, LONDON, JULY, 1995. |
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| 1995 BERTA ROJAS PURCELL ROOM, SOUTH BANK CENTRE, LONDON MARCH 1995, CLASSICAL GUITAR, JULY, 1995. | |||||||||
| 1995 THE REGO QUINTET ON THE SOUTH BANK MUSICAL OPINION, SUMMER, 1995. | |||||||||
| 1995
LACCS's 1996 PROGRAMME "
The Latin American and Caribbean Cultural Society
(LACCS), has
been promoting the classical guitar in London
for twelve years. To our knowledge, no one else
has kept a guitar series for so long and unbroken
a period, and
it says a lot for the determination, patience and
ingenuity of Juan R. Monroy, Director of LACCS, that so
many guitarists
of the highest rank have been brought to London.
..." An innovation is LACCS presentation of awards
to guitarists
who have made a special contribution in bringing
the cultures of the eastern and western hemispheres
together, thus leading to a greater understanding
of Latin American music in Britain..." CLASSICAL GUITAR, DECEMBER, 1995. |
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| 1996 | |||||||||
| 1996
LACCS INTERNATIONAL GUITAR SERIES Juan
R. Monroy, the energetic and enterprising Director
of the Latin American and Caribbean Cultural
Society (LACCS), created the INTERNATIONAL GUITAR
SERIES in 1984 and since then guitarists from all
over the world have performed in combination of
European and
Latin American works by composers from both
continents. Soloist who have performed in the series
so far have included
Argentinians Eduardo Falu, Roberto Aussel
an Isabel Siewers, Brazilian, Laurindo Almeida,
Carlos Barbosa-Lima
and Marcelo Kayath, Chileans Octavio Lafourcade,
Oscar Ohlsen and Luis Orlandini, Venezuelan, Alirio
Diaz and Duo Montes-Kircher, Terry Pazmino from
Ecuador, Eduardo
Fernandez from Uruguay, Berta Rojas from
Paraguay..." MUSICAL OPINION, HIGH NOTES, SPRING 1996. |
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| 1996
TIMO KORHONEN. Purcell Room, London, 22 February
1996.
'This concert
marked the London debut of the young
Finnish guitarist Timo Korhonen. ...
His programme set the old alongside the new, but
he has a traditional look with the inclusion of
pieces by Sor
and Villa-Lobos... Timo
Korhonen is a guitarist who can rightfully take his
place in the
world class category". Peter Rueffer, Classical Guitar, July 1996. |
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| 1996
CON BOLETOS A INGLATERRA "
Llevan nueve anos actuando juntos. ya sea en Chile
o en Europa y America Latina. Y ahora, por primera
vez, el duo de guitarristas compuesto por Oscar
Ohlsen y Luis Orlandini viajara a Inglaterra para
actuar en el Purcell Room, una de las salas mas
prestigiosas de Londres... Y
lo haran el proximo 22 de Julio con un concierto
auspiciado por
Latinamerican and Caribbean Cultural
Society (LACCS), que dirige Juan R. Monroy, y
que este ano desarrolla su 12 temporada... Es
que J R Monroy ha desarrollado por anos, con la
colaboracion de las Embajadas o el Ministerio de
Relaciones del
pais correspondiente de cada artista, una
extensa labor en pro de la difusion de la musica
clasica de America
Latina en Europa... EL MERCURIO, CHILE, MIERCOLES 10 DE JULIO DE 1996. |
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| 1996
EDUARDO FALU. A musician born in the province of
Salta which border
Chile and Bolivia, he is difficult to categorised.
Although he considers himself a guitarist who
sings, he has a rich baritone voice of rare quality.
Queen Elizabeth
Hall, July 23, 1996. The Culture, The Sunday Times, 21st July, 1996. |
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|
1996
A TRIBUTE TO LAURINDO
ALMEIDA
"LACCS'S tribute to the Brazilian guitarist and composer Laurindo Almeida at the Purcell Room on 28 May turned out to be a delight for all concerned. Charlie Byrd's
first solo was Alfredo Vianna's Carinhoso which Laurindo
Almeida had sketched out for him on a paper napkin! The
soloist then joined forces to play Ernesto Nazareth's
Carioca and Famoso
with its 2 step rhythm, followed by Vianna's Naguele
Tempo and Cochichando which gave them a
chance to show their respective strengths, Carlos
Barbosa-Lima was more agile and steely while Charlie
Byrd was warmer and
more relaxed. ...
Laurindo Almeida's own arrangement of "Adios" was played
as an encore and
a more fitting end could hardly have been found
with its gentle, reflective simplicity in many ways encapsulating
the strengths of
this well loved and greatly missed virtuoso and composer.
BH MUSICAL OPINION, SUMMER 1996.
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1996
CARLOS BARBOSA-LIMA
WITH SPECIAL GUEST
CHARLIE BYRD PURCELL
ROOM, LONDON, 28 MAY 1996.
Unfortunately,
it doesn't happen often, a full house at
a guitar concert. Anything less, for this unique | |||||||||